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IN THE HOUSE OF THE MOLES

a world premiere by Terry Galloway
directed by Shawn Sides


THE SCOOP

Rude Mechanicals is proud to present the world premiere of nationally-acclaimed performance artist Terry Galloway’s first feature length play, IN THE HOUSE OF THE MOLES. MOLES is the bawdy and profane tale of four less-than-stable-daughters who cope with (and celebrate) the death of their dauntingly talented and despotic mother by re-enacting her astonishing life – Vaudeville style. The play they are impelled to present, gathered from legal pads and scraps of paper strewn around Peg’s dead body, just might contain a lesson – but they are going to have to get through a whole helluva lotta Vaudeville routines, German drinking songs, and Hamlet rip-offs to figure it out. Especially when the play raises as many questions as it answers - Can two girls find true love together? How do you get a ghost out of your life? And just why is it that the ugly one always seems to get it in the end? A toe-sucking good time for all...

WHERE:

The Off Center
2211-A Hidalgo
[Take 7th Street heading east from IH-35. Take a right on Robert Martinez and an immediate left on Hidalgo.]

WHEN:

February 24 - March 18, 2000
Thursday, Friday and Saturday at 8 pm
and Two Sunday performances, March 5 and 12 at 8 pm

TICKETS:

Feb 24 - March 4: $10 gen adm, $8 students/seniors/ACOT
March 9 - March 18: $12 gen adm, $10 students/seniors/ACOT
Thursdays and Sundays are pay-what-you-wish

Call 512-476-RUDE (7833) for info or reservations or email us at tickets@rudemechs.com

Seating is limited! Reservations are highly recommended.

ABOUT THE ARTISTS

Terry Galloway (playwright) is a deaf, queer, playwright, poet, essayist, and performer. Her formative years were split between Germany and Texas. She holds a degree in American Studies from the University of Texas, Austin and had a two year long combative relationship with Columbia University in NYC. In the early eighties, she began presenting her one-woman shows at W.O.W., Limbo Lounge, P.S. 122, The Women’s Project and American Place Theatre. Her shows have since been produced all over the United States, England, Canada, and Mexico. She has helped to create grass roots original theatre in communities in Austin, TX and in Tallahassee, FL, co-founding Esther’s Follies and the Mickee Faust Club. She’s published a play, a book of poetry, a performance text, comic and dramatic monologues and a handful of articles. She writes, teaches, lectures about the feminization of the critical process, the create of grass roots theatre, sex as art, humor as a subversive tool, the necessity of falling in love with one’s parents, snottiness towards the disaffected and the gentle tactics of revenge. Her more personal life could be the subject of gossipy speculation. She lives in the part of Florida that is not Miami Beach.

Shawn Sides is one of the Core Members of Rude Mechs and is perhaps best known for her direction of the wildly successful LIPSTICK TRACES, an adaptation of Greil Marcus' landmark critical history. She also directed CURST & SHREWD and CRUCKS and received an Austin Critics' Table Award nomination for her performance of "Jane" in DON B'S SNOW WHITE.

The cast features the ensemble talents of Rude company members Madge Darlington, Catherine Glynn, Lana Lesley, Sarah Richardson and Jon Watson.

The traditional vaudeville music in the script is being re-envisioned for this world premiere production by Graham Reynolds of The Golden Arm Trio

The design team includes Cliff Simon (scenic), Stephen Pruitt (lighting), Greg Janecek (sound) and Marit Aagaard (costumes).

 

 

 

 

 


Katie Glynn as "Inga" as "Pretty Polly"


Lana Lesley as "Jinx" as "Shy Little Miss"


Madge Darlington as "Boaz" as "Mr. Punch"


Sarah Richardson as "Wark" as "Ugly Girl"


For tickets or information please call 512-476-RUDE or visit our tickets page.
For questions email info@rudemechs.com.

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Updated 07/01/2005
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